Strange New Worlds Shows a New Side of the Klingon Empire

Laura J. Burns
Laura J. Burns writes books, writes for TV, and sometimes writes TV based on books and books based on TV. She will never, however, write a poem. She’s the managing editor of The Antagonist.

Star Trek is a franchise that seemed to be on its last legs a few years back, but it’s been quietly having a renaissance lately. If you haven’t watched the third season of Picard, you should rectify that immediately–it’s an emotional throwback to the glory days of Star Trek: The Next Generation while still being its own modern Star Trek show.

And then there’s Strange New Worlds. The adventures of Captain Christopher Pike manages to be a new show about an old captain–the original captain of the Enterprise, in fact. Pike helmed the Enterprise before Kirk, and counted Spock, Uhura, and Nurse Chapel among his crew. The show in general is a rollicking good time and just feels the way Star Trek should because it’s building off the mythology of the original series. Season two ends this week and the whole thing deserves its own post, but for now we simply must mention the musical episode.

So Star Trek did a full musical episode, and you should all go watch it because it actually worked! They sang technobabble in different genres and my friends, everyone in that cast can actually sing. It’s legit impressive, but what I really want to make you aware of right now is the singing Klingons.

SINGING KLINGONS.

You’re welcome.

Related Posts

The Gilded Age Fears Drama Like Agnes van Rhijn Fears the Nouveau Riche

For a show about the scheming and social climbing of the nineteenth century’s wealthiest people, The Gilded Age is oddly devoid of, well, drama. This is surprising, given that it’s a show about one of America’s juiciest gossip eras. It’s also surprising merely because The Gilded Age is an entertainment program on TV, featuring people doing interesting things while dressed…
Read More

62 Observations about Kaleidoscope, to Be Read in Any Order

1. You can watch Netflix’s Kaleidoscope in any order you want, the same way you can watch any show in any order you want. Kaleidoscope doesn’t use any narrative devices or gimmicks; it doesn’t play with perspective; it doesn’t employ any unusual or intriguing plot devices to make rewatching the episodes in a different sequence a revealing and rewarding experience.…
Read More

I’m Pretty Well Smitten With Jack Reynor

The Peripheral dropped last week and I was one of the first to gobble it up and ask for more.  I’ve heard from highbrow critics that the intersection of Appalachia and military tech is derivative, but it really worked for me. I’ve long wondered why so many film adaptations imagined a future of order when I expect it to look…
Read More